{"id":28509,"date":"2017-03-11T18:51:49","date_gmt":"2017-03-11T16:51:49","guid":{"rendered":"http:\/\/norkhosq.net\/?p=28509"},"modified":"2017-03-18T10:46:05","modified_gmt":"2017-03-18T08:46:05","slug":"noubar-aslanyan-the-composer-by-boris-turchinsky","status":"publish","type":"post","link":"https:\/\/norkhosq.net\/?p=28509","title":{"rendered":"Noubar Aslanyan: The Composer by Boris Turchinsky"},"content":{"rendered":"
\"\"
Famous composer Noubar Aslanyan.<\/figcaption><\/figure>\n

Noubar Aslanyan: The Composer<\/p>\n

by Boris Turchinsky<\/p>\n

Armenia\u2026 A silent question,
\nA soul of love, the only one,
\nYou have been carved from women\u2019s tears
\nFrom stones, and sorrows, and the sun.
\n\u00a9 \u201cArmenia\u201d by Albina Sadovskaya<\/p>\n

The \u201cFestive Fanfares\u201d<\/p>\n

The \u201cFestive Fanfares\u201d: such was the name for the large concert of \u201cMerkaz Yuval\u201d music center\u2019s wind orchestra. The concert held in Haifa Auditorium marked the 70th birthday of the composer Noubar Aslanyan. The spectators granted him a standing ovation and saluted each of his pieces with applause.
\nOur conversation started right after the show and right on the stage which was still full of flowers from the grateful audience of Haifa. <\/p>\n

– Dear Noubar, I\u2019ve read a lot about you on the internet. However, it was all mostly about your music.
\nAnd now, let us tell our readers first about how little Noubar got acquainted with the world of art. Who or what was the trigger for that?
\nThis is a rather sad story of a boy from a poor family\u2026
\nI was born in Greece in 1943, but our family relocated to Yerevan later.
\nI had to start working as a construction man after I finished 7-year school just to be able to buy a new pair of trousers and a harmonica I was dreaming about. When my Mom learned about it, she got me out of there, but by that time I had enough money to buy all that plus a new shirt. Later, I enrolled at the evening shift electromechanic college. I had to work, so I found a job at the All-Union Electric Equipment Research Institute, and I kept working there for ten years.
\nWe had a mandolin at home, and we all used to play it \u2013 it was our legacy from our father who had passed away very young. In Greece, our father played guitar, mandolin, accordion and violin in a band. He was a musically gifted man, and I think I\u2019ve inherited that from him. Besides, we also had his French horn at home.
\nIt seems as I was fifteen, a neighbor I was friends with said he was going to go to the Palace of the Pioneers to have his musical abilities tested, and that he wanted to start learning to play a musical instrument. \u201cLets\u2019 go together\u201d, he suggested.<\/p>\n

 <\/p>\n

\"\"
\u0544\u0561\u0580\u057f\u0578\u0582\u0576 \u053b\u057d\u0580\u0561\u0575\u0565\u056c\u0575\u0561\u0576\u0568 \u057e\u0565\u0580\u0565\u0582\u056b \u0577\u0561\u0580\u0584\u0578\u0582\u0574 \u0567,\u053f\u0578\u0576\u057d\u057f\u0561\u0576\u057f\u056b\u0576 \u054a\u0565\u057f\u0580\u0578\u057d\u0575\u0561\u0576\u056b \u056f\u0578\u0572\u0584\u0568:\u0535\u0580\u0580\u0578\u0580\u0564 \u0577\u0561\u0580\u0584\u0578\u0582\u0574 \u0562\u0578\u056c\u0578\u0580 \u056f\u056c\u0561\u057d\u056b\u056f\u0576\u0565\u0580\u0576 \u0565\u0576\u055d \u054e\u056c\u0561\u0564\u056b\u056c\u0565\u0576 \u0532\u0561\u056c\u0575\u0561\u0576,\u0533\u0565\u0582\u0578\u0580\u0563 \u0531\u0580\u0574\u0565\u0576\u0575\u0561\u0576,\u0533\u0580\u056b\u0563\u0578\u0580 \u0540\u0561\u056d\u056b\u0576\u0575\u0561\u0576...\u0546\u0578\u0582\u0562\u0561\u0580 \u0531\u057d\u056c\u0561\u0576\u0575\u0561\u0576..\u057e\u0561\u0575 \u0579\u0567,\u0577\u0583\u0578\u0569\u0565\u0581\u056b...<\/figcaption><\/figure>\n

 <\/p>\n

At the entrance exam for music college I played my pieces: waltzes, foxtrots, tangos\u2026 I was admitted and put into the class of the composer Grigor Akhinyan, whom I really owe a huge debt to.
\nYears went by, and as I was passing the state exams, the examination board was chaired the same composer who accepted me into the college some years ago \u2013 the famous Eduard Baghdasaryan. He looked at me for a moment, and then he said: \u201cNoubar, look what kind of stuff you entered with (tangos, a waltz) and what kind of things you\u2019re leaving with! I was graduating with a string quartet and a concerto for flute and orchestra. By the way, the concerto was performed the same year by State Chamber Orchestra of Armenia, and then it was also performed at the conference of Baltic and Transcaucasian Republics.<\/p>\n

 <\/p>\n

\n
\n
\"\"<\/dt>\n
30 January, 2015 Ram Oren\/trumpet (Israel) Ruben Asatryan\/Conductor<\/span><\/em><\/dd>\n<\/dl>\n<\/div>\n

 <\/p>\n

By that time I had already left the institute and I had enrolled at the conservatory. I was composing, was married with a son. I was studying composition in the composer\u2019s Grigor Egiazaryan\u2019s class. And in 1973, I graduated from Komitas State Conservatory of Yerevan.
\nStep by step, I was growing professionally, and my family was very supportive. My son started learning to play the piano when he was seven and started learning to play the trumpet later. My daughter also followed her Dad\u2019s footsteps: she finished the conservatory\u2019s composition department. My wife, Alla, has been teaching music theory, sol-fa and piano at a music school for twenty years!<\/p>\n

 <\/p>\n

 <\/p>\n

\n
\n
\"\"<\/dt>\n
\u0570\u0578\u056f\u057f\u0565\u0574\u0562\u0565\u0580,2014,\u0535\u0580\u0565\u0582\u0561\u0576::\u054f\u0580\u0578\u0574\u0562\u0578\u0576\u056b \u056f\u0578\u0576\u0581\u0565\u0580\u057f\u056b \u056f\u0561\u057f\u0561\u0580\u0578\u0582\u0574\u056b\u0581 \u0570\u0565\u057f\u0578\u055d \u0562\u0565\u0574:<\/em><\/span><\/dd>\n<\/dl>\n<\/div>\n

 <\/p>\n

Mr. Aslanyan has lived in Israel since 1994. He mostly occupies himself with composing. Noubar\u2019s pieces have a distinct Armenian spirit, while some of them have the features of traditional Jewish music. Besides, he writes in multiple different styles and genres.
\nHis pieces are well-known both among performers and among students. I am talking about his pieces for solo instruments and vocal soloists, choral music, music for chamber, wind and symphonic orchestras.
\nOne of his favorite styles is \u201cprogram music\u201d depicting the events happening around us or going on in his life. I am not exaggerating by saying that Noubar continues the traditions of such prominent Armenian composers as A. Khachaturian, A. Spendiarov, G. Yeghiazaryan, G. Akhinyan, E. Oganesian, E. Mirzoyan and others.
\nHis pieces have been performed in the USA, Canada, in the former Yugoslavia states, Greece, Bulgaria, Sweden, Switzerland, South Korea, Germany, on the territory of the former USSR, in Armenia, Israel.<\/p>\n

So, Israel. How did Your New Homeland Greet You?<\/p>\n

– This is my traditional question for all repatriating musicians. Noubar, what were your first impressions of reality in the new country and how do you feel about it today?
\n– Well, our occupation is the only profession which is trusted here is Israel: people don\u2019t say we bribed someone to get our diplomas. As I had been a member of the Union of Composers of the USSR, I was accepted into the Union of the Composers of Israel, and I have been a member ever since.<\/p>\n

– What kind of inspiration did the land of Israel give you?<\/p>\n

The first piece I wrote here was the sonata for solo cello \u00abEntebbe-20\u00bb. I dedicated it to Yonatan Netanyahu, who perished in 1976 on the hostage-rescue mission\u2026 This sonata was performed at the beginning of a festive concert dedicated to the 56th anniversary of the independence of Israel in 2004 in Yerevan.
\nThen, I was introduced to different music bands, such as \u201cKinneret\u201d and \u201cZamir\u201d, who started playing my quartettes; I was invited to work in Sweden, later, I was invited to represent Israel in South Korea. My a capella cantata \u201cThe Feast of Booths (Sukkot)\u201d was performed by Polish Radio Choir, and I must say, this was probably the best performance of this piece.<\/p>\n

– Noubar, tell us about your friendship and cooperation with the Israel Defense Forces Orchestra.
\n– This wonderful orchestra has performed my three pieces: \u201cDream of a Soldier\u201d, \u201cThe Speed March\u201d and \u201cTroopers Don\u2019t Give Up\u201d. I\u2019d like to express my gratitude to Michael Yaaran, the ex-conductor, who followed the traditions of the famous military orchestra music performer in our country, the conductor and composer Izhak Graziani.
\nIn 2007, the Ministry of Defense organized a contestant for the best military march. Quote by M. Yaaran:
\n\u201cBeing the Principal Conductor of the Israel Defense Forces Orchestra, I had to pick the winners out of 70 pieces written by our contestants. It was a very interesting job, but also a very challenging one. As I was working, I marked three marches which were different from the rest due to their originality and their rich, professional orchestration. The power and the beauty of their music reminded me of marches by Alexander Chernetsky, co-founder of the genre of Russian military march. There was another thing I liked: all the marches by the author I picked resembled of traditional Armenian music. I\u2019m happy to hear he\u2019s a famous composer and his pieces have been performed not only in Israel and Armenia, but all around the world. Much health and much inspiration to Noubar!<\/p>\n

 <\/p>\n

\n
\n
\"\"<\/dt>\n
\u0535\u0580\u056f\u0578\u0582 \u0585\u0580 \u0561\u057c\u0561\u057b,\u053b\u057d\u0580\u0561\u0575\u0565\u056c,\u0535\u0580\u0578\u0582\u057d\u0561\u0572\u0565\u0574\u056b \u00ab\u0546\u0578\u057f\u0580 \u0534\u0561\u0574\u00bb\u057c\u0565\u057d\u057f\u0578\u0580\u0561\u0576\u056b \u0562\u0561\u0581\u0585\u0569\u0575\u0561 \u057d\u0580\u0561\u0570\u0578\u0582\u0574, \u0540\u0561\u0575\u0561\u057d\u057f\u0561\u0576\u056b \u0540\u0575\u0578\u0582\u057a\u0561\u057f\u0578\u057d \u057a\u0580\u0576.\u0551\u0578\u0582\u056c\u0561\u0563 \u0544\u0578\u0574\u057b\u056b\u0561\u0576\u056b \u0576\u0561\u056d\u0561\u0571\u0565\u057c\u0576\u0578\u0582\u0569\u0575\u0561\u0574\u0562 \u0576\u0577\u057e\u0565\u0581 \u0540\u0561\u0575\u0561\u057d\u057f\u0561\u0576\u056b \u0531\u0576\u056f\u0561\u056d\u0578\u0582\u0569\u0575\u0561\u0576 \u0585\u0580\u0568:\u0546\u0565\u0580\u056f\u0561 \u0567\u056b\u0576 \u0540\u0561\u0575\u0561\u057d\u057f\u0561\u0576\u0578\u0582\u0574 \u053b\u057d\u0580\u0561\u0575\u0565\u056c\u056b \u0564\u0565\u057d\u057a\u0561\u0576 \u0547\u0574\u0578\u0565\u056c \u0544\u056b\u0580\u0578\u0574\u0568 \u0565\u0582 \u0566\u0561\u0576\u0561\u0566\u0561\u0576 \u0565\u0580\u056f\u0580\u0576\u0565\u0580\u056b \u0564\u056b\u057e\u0561\u0576\u0561\u0563\u056b\u057f\u0561\u056f\u0561\u0576 \u056f\u0578\u0580\u057a\u0578\u0582\u057d\u056b \u0576\u0565\u0580\u056f\u0561\u0575\u0561\u0581\u0578\u0582\u0581\u056b\u0579\u0576\u0565\u0580,\u0570\u0578\u0563\u0565\u0582\u0578\u0580\u0561\u056f\u0561\u0576\u0576\u0565\u0580:\u0546\u056f\u0561\u0580\u0578\u0582\u0574\u055d \u0540\u0575\u0578\u0582\u057a\u0561\u057f\u0578\u057d \u0544\u0578\u0574\u0578\u057b\u056b\u0561\u0576\u056b \u0578\u0580\u0564\u056b\u0576,\u0540\u0575\u0578\u0582\u057a\u0561\u057f\u0578\u057d\u0568,\u0556\u0580\u0561\u0576\u057d\u056b\u0561\u0575\u056b \u0570\u0575\u0578\u0582\u057a\u0561\u057f\u0578\u057d\u0568 \u0565\u0582 …<\/em><\/span><\/dd>\n<\/dl>\n<\/div>\n

Author\u2019s remark.
\nAs a token of gratitude and respect to the military orchestra and to Michael Yaaran, Noubar Aslanyan wrote the piece \u201cA Walk\u201d, which he gave as a gift to the orchestra and their conductor. The original note sheet is a part of Michael Yaaran\u2019s musical archive. The composer named his piece \u201cA Walk\u201d as he believes that apart from the duty to defend their country, the soldiers have their private lives: their families, their girlfriends and their hometown they keep going back to. In short, it\u2019s all very lyrical\u2026<\/p>\n

The Seven Most Important Pieces<\/p>\n

– Noubar, you are a composer writing all sorts of genres. Do you find some of your pieces to be of primary importance?<\/p>\n

– First of all, it\u2019s my \u201cCantata for a mixed choir\u201d, my three instrumental concertos (for clarinet, trumpet, and for trombone), string quartet (which I dedicated to my parents), the \u201cElegy\u201d for string instruments and piano (which I dedicated to my mother) and the Sonata for the piano. All of these are what I call my program pieces. However, to me, all of my pieces are like my children, I love all of them equally.<\/p>\n

– I know about your friendship and communication with many musicians in Armenia, the country that you are very fond of.<\/p>\n

– I used to work as principal conductor of a wind orchestra, but my work was not only limited to music. I also was a MP and I helped many. And I\u2019ve been helped by many as well. Probably, the Lord sees it all and repays us. My daughter went to Yerevan to for the oral defense of her thesis. As she came back to Haifa, she told me: \u201cDad, your voters are looking for you!\u201d
\nI communicate with a lot of musicians and conductors. You\u2019ve mentioned the many concerts I\u2019ve had in Yerevan. Whenever I\u2019m there, there are always meetings, long talks\u2026 Today, we are lucky to have these new opportunities for communication. It certainly gives us more freedom. It\u2019s like Armenia got a bit closer.<\/p>\n

– Tell us something about your meetings with famous performers, conductors and composers.<\/p>\n

– I\u2019ll tell a funny one. It happened in 1972 in Moscow at the All-Union Plenary Meeting of Young Composers at the House of Composers of the USSR.
\nOn the first floor, they were selling notes and records. A friend tipped me that they had the vinyl records of the fourteenth symphony by Shostakovich \u2013 the new one.
\nI nearly worshipped this composer! I ran downstairs and bought three records at once. As I came back up to the hall, all of a sudden I saw three great composers of the time: D. Kabalevsky, T. Khrennikov, A. Khachaturian and beside them was\u2026 Dmitriy Shostakovich!
\nMy first thought was I\u2019d go and ask Shostakovich to sign a vinyl, as I wanted his autograph! But\u2026 I was a scaredy-cat and couldn\u2019t make myself come near him. I\u2019ve been regretting ever since.<\/p>\n

***<\/p>\n

Quote by Noubar\u2019s spouse, Alla:
\n\u201cNoubar is a gifted and a hard-working man. As his wife, I\u2019ve been trying to maintain his comfort, so that nothing would distract him when he works. \u201cSilence, Daddy\u2019s writing music!\u201d were the words our kids heard very often. But I am also a professional musician and I\u2019ve always been my husband\u2019s first audience. However, as the kids grew up and became musicians as well, Noubar received three new spectators and judges \u2013 the kindest ones! Apart from being a good husband, Noubar is a great father and grandfather!
\n***<\/p>\n

\n
\n
\"\"<\/dt>\n
In 2013, 20 of April, with soloist Ram Oren in Tel Aviv museum, after my Concertino.<\/span><\/em><\/dd>\n<\/dl>\n<\/div>\n

On April 24th, 2015, the world commemorated the 100th anniversary of the Genocide of Armenians. A series of concerts was dedicated to this sad event. One of the most memorable ones was the<\/p>\n

one of the National Philharmonic Orchestra with their principal conductor and artistic director, Eduard Topchjan who is also a Meritorious Worker of Art of Armenia. Here is what he says:<\/p>\n

\u201cNoubar Aslanyan is a very interesting composer, a very original one. He has mastered multiple musical genres. Many of his greatest pieces have been performed in Armenia. I was the one who arranged the premiere of his \u201cConcert-poem\u201d for trumpet and symphonic orchestra, which was dedicated to the genocide of the Armenian nation in 1915. The solo was performed by the wonderful Israeli trumpeter Ram Oren who was very easy to communicate and work with. It was a big success\u201d.<\/p>\n

Let\u2019s now listen to Ram Oren:<\/p>\n

– I was honored to be the first performer of his concert-poem \u201cThe Braves of Sipan\u201d for trumpet and orchestra in Armenia in 2015. Noubar\u2019s music cannot go unnoticed, it charms you and it keeps you on the edge of your seat.
\nI did my best to both convey the composer\u2019s idea and to put my own emotions into the piece I was performing. I hope I did it right: judging by the Armenian spectators\u2019 reaction, they were deeply moved by the music.
\nI wish much of inspiration to Noubar. We, the musicians of Israel, are looking forward to many interesting pieces, and I\u2019d be delighted to perform any of his new pieces for the trumpet.<\/p>\n

A Colleague about a Colleague: Boris Levenberg, Composer<\/p>\n

It so happens that Noubar Aslanyan and I have something in common apart from being colleagues: we both had some absorption problems as we repatriated to Israel in the aliyah of the 90th, and<\/p>\n

we happened to be neighbors. I remember our Saturday walks through our part of Haifa. I felt like I met an interesting guy whose views on music and composition were very close to mine. It was nice to know we both hummed the same favorite tunes from Shostakovich\u2019s symphonies! I was also charmed by his great sense of humor. You see, I first got acquainted with Noubar as a person, and I heard his music later. However, as I listened to his pieces, I wasn\u2019t disappointed: on the contrary, it made me like him and respect him even more. The world of Noubar\u2019s music struck me by the number of different genres, I was stunned with Noubar\u2019s serious approach to composing and by everything he achieved. In his music, I feel his deep love to Armenian folk motives which is very natural for Noubar. Many of his pieces are tragic, as is the fate of this ancient, most wonderful and hard-working nation.<\/p>\n

 <\/p>\n

\n
\n
\"\"<\/dt>\n
At my exhibition opening ceremony in Yerevan (1988). \u2014 mit Vahan Atyav, Shahen Khachateryan, Jack Hagopyan, Noubar Aslanyan<\/em><\/span><\/dd>\n<\/dl>\n<\/div>\n

Moving and Insightful Music<\/p>\n

To understand the composer and to learn more about his music, I went to youtube and\u2026 I spent a long time there.
\nThe concerto for trombone, the \u201cElegy\u201d for four trumpets, the \u201cWalk\u201d we talked about, the sonata for cello solo, the sonata for flute and oboe, the poem for trumpet\u2026 And the concerto for clarinet. This is where I can\u2019t help admiring the music itself and the performance by the Symphonic Orchestra and their soloist Jeffry Howard! I can relate to him, being a clarinetist myself. Having watched the video, I sent a short note of gratitude to Jeffrey. The very next day I got a message from him:<\/p>\n

Dear Boris,<\/p>\n

Concerning my performance of Noubar Aslanyan\u2019s concerto, I\u2019d like to say that I am on good terms with this amazing man and great composer. For several years, I\u2019ve had the pleasure to play some of his pieces. I usually followed his recommendations and played them the way he wanted. Noubar is a very subtle musician and a great person. His music often has challenging technique, but it\u2019s not only about technique. The slow parts are very moving and very insightful.
\nBefore Noubar wrote his clarinet concerto, I performed his
\n\u201cElegy\u201d for clarinet – and loved it. The music is amazing.
\nSome more details about the clarinet concerto.
\nThe first part and the third part are typical examples of Noubar\u2019s unique style as you feel his love to his native Armenia and to Armenian folk motives. It gave me a huge inspiration, and as I played, I was trying to feel the music, to picture Armenia as a county and a nation. To feel it the way he feels, you know? By doing that, I\u2019ve almost felt like I was Armenian myself. And I enjoyed this transformation a lot!
\nWe went to Armenia to perform this concerto there with the National Symphonic Orchestra. It was a grand success. It\u2019s big honor for me and these are memories for a lifetime. I will always be proud of these memories.
\nYou should have seen how we landed in Yerevan! Noubar was bursting with joy and happiness! And he passed this love to me by his music. I couldn\u2019t help but love this country after I met his many friends and colleagues, some really nice people. Still inspired by that, I am planning to visit this country once again and to bring my family with me. I hope we do perform something else with the wonderful Armenian orchestra I will be always grateful to Noubar for his wonderful music!
\nJeffrey Howard<\/p>\n

***
\nNoubar\u2019s son Armen is a wonderful trumpeter. Like his parents, he lives in Haifa, this great coastal city in the North which is sometimes referred to as Israel\u2019s unofficial Northern capital. He is a conservatory teacher and a member of a symphonic orchestra and a jazz band. Here is what he says:
\n\u201cIf it wasn\u2019t for my father, I wouldn\u2019t become the musician and the man I am today!
\nAs a child, I played in a wind orchestra and my Dad was the conductor. He dedicated some of his pieces for trumpet to me.
\nE.g., I played Dad\u2019s five \u2013part album at the concert in Haifa Auditorium in 2013.
\nI play both classical music and jazz with a great pleasure. The most important thing for me is the quality of the music.
\nI play my father\u2019s pieces rather often. My father loves jazz, especially if jazz music is linked with folk melodies. I can relate to him, so we\u2019re same here.
\nI am proud of my father and I love him very much.
\n***
\nA nice resume, isn\u2019t it?..
\n(This article has been shortened)<\/p>\n

http:\/\/www.liveinternet.ru<\/a><\/p>\n

 <\/p>\n

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Noubar Aslanyan: The Composer by Boris Turchinsky Armenia\u2026 A silent question, A soul of love, the only one, You have been carved from women\u2019s tears From stones, and sorrows, and…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-28509","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts\/28509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28509"}],"version-history":[{"count":9,"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts\/28509\/revisions"}],"predecessor-version":[{"id":28546,"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts\/28509\/revisions\/28546"}],"wp:attachment":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}