{"id":31291,"date":"2020-06-08T19:58:27","date_gmt":"2020-06-08T17:58:27","guid":{"rendered":"http:\/\/norkhosq.net\/?p=31291"},"modified":"2020-06-08T19:58:27","modified_gmt":"2020-06-08T17:58:27","slug":"ernest-hemingway%e2%80%99s-grandson-on-an-unpublished-story-from-the-author%e2%80%99s-archive","status":"publish","type":"post","link":"https:\/\/norkhosq.net\/?p=31291","title":{"rendered":"Ernest Hemingway\u2019s Grandson on an Unpublished Story from the Author\u2019s Archive"},"content":{"rendered":"<figure style=\"width: 461px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/media.newyorker.com\/photos\/5ed506c578f16c53f05b68bf\/master\/w_2560%2Cc_limit\/TWIF-Hemingway.jpg\" alt=\"\" width=\"461\" height=\"576\" \/><figcaption class=\"wp-caption-text\">Se\u00e1n Hemingway, a grandson of the author Ernest Hemingway, in 2009.Photograph by Richard Perry \/ NYT \/ Redux<\/figcaption><\/figure>\n<p style=\"text-align: left;\">&nbsp;<\/p>\n<p style=\"text-align: left;\">A conversation with Se\u00e1n Hemingway.<\/p>\n<div>\n<div>\n<p style=\"text-align: left;\">By <a href=\"https:\/\/www.newyorker.com\/contributors\/deborah-treisman\">Deborah Treisman,<\/a> June 1, 2020<\/p>\n<p style=\"text-align: left;\"><strong>A story in this week\u2019s issue, \u201c<a href=\"https:\/\/www.newyorker.com\/magazine\/2020\/06\/08\/pursuit-as-happiness\">Pursuit as Happiness<\/a>,\u201d will be included in a new edition of Ernest Hemingway\u2019s \u201c<a rel=\"nofollow noopener\" href=\"https:\/\/www.amazon.com\/Old-Man-Sea-Hemingway-Library\/dp\/1476787840?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\">The Old Man and the Sea<\/a>\u201d  to be published by Scribner later this year. Can you explain why it was  never published and how it was discovered (or rediscovered)?<\/strong><\/p>\n<p style=\"text-align: left;\">The  story is part of the Ernest Hemingway Collection at the John F. Kennedy  Library and Museum, in Boston, which is the most important repository  of my grandfather\u2019s manuscripts and papers. As I was preparing the new  Hemingway Library Edition of \u201cThe Old Man and the Sea,\u201d I carefully went  through the rich archive of manuscripts, letters, photographs; fishing  logs from my grandfather\u2019s boat, the Pilar; and other ephemera at the  Kennedy Library, with the help of the textual archivist, Stacey  Chandler, and her colleagues. <!--more-->The story exists in a single typewritten  manuscript with emendations in Hemingway\u2019s hand. I was surprised and  excited by it and thought it would make a wonderful addition to the new  edition. Another copy of the manuscript exists in the Scribner Archive,  at Princeton University, and came with the papers of Carlos Baker, who  wrote a major biography of my grandfather. There is no indication as to  when Baker acquired it and whether it was after Hemingway\u2019s death, but  that seems likely to me. Along with several autobiographical stories  about the Second World War, it is one of the few Hemingway stories that  was left unpublished. I am not sure why it received so little attention;  it is a gem among the unpublished material in my grandfather\u2019s personal  papers.<\/p>\n<p style=\"text-align: left;\"><strong>The  story is autobiographical: the narrator is referred to as \u201cErnest\u201d and  \u201cHemingway,\u201d and he goes on a fishing trip with \u201cMr. Josie\u201d\u2014Hemingway\u2019s  name for his friend Joe Russell, with whom he fished in Cuba\u2014and his  first mate, Carlos Gutti\u00e9rez. What made you conclude that the story was  fiction and not a memoir?<\/strong><\/p>\n<p style=\"text-align: left;\">Actually,  I find it difficult to classify as fiction or nonfiction because much  of the story is autobiographical, but I do prefer to think of it as  fiction. It is carefully crafted and reads like a short work of fiction.  As my grandfather wrote about his memoir \u201c<a rel=\"nofollow noopener\" href=\"https:\/\/www.amazon.com\/Moveable-Feast-Restored-Ernest-Hemingway\/dp\/143918271X?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\">A Moveable Feast<\/a>,\u201d which he called fiction, a work of fiction may shed light on actual events.<\/p>\n<p style=\"text-align: left;\"><strong>How  much of the story do you think was invented? Was it based on a  particular experience Hemingway had\u2014of hooking a giant marlin and losing  it?<\/strong><\/p>\n<p style=\"text-align: left;\">It  is certainly possible that the story was inspired by a particular  fishing trip in the summer of 1933, when the story is set, but in my  opinion it was more likely inspired by several different experiences, to  which the author has added fictional elements that improve upon the  story.<\/p>\n<p style=\"text-align: left;\">&nbsp;<\/p>\n<p style=\"text-align: left;\"><strong>The story is set against a backdrop of political strife in  Havana. Mr. Josie has a couple of run-ins with the Cuban police\u2014first,  when one tries to take the fish that he and Hemingway have caught, and  then when \u201cone of those special Machado police\u201d gets belligerent in a  bar. Gerardo Machado\u2019s government collapsed a few months after the  events of the story. How important do you think that political setting  was to Hemingway?<\/strong><\/p>\n<p style=\"text-align: left;\">Hemingway witnessed plenty of the  ugliness of that summer of 1933 in Cuba, including riots and the  shooting in the streets of young activists protesting the Machado  regime. To my mind, the political strife is not the focus of the story  but the contrast with life ashore makes the happiness of fishing for  marlin at sea all the more poignant. The giving away of all their catch  to the locals adds purpose to their fishing pursuits, especially during  that difficult summer.<\/p>\n<p style=\"text-align: left;\"><strong>The story is set in 1933, but you  believe it was written years later. Do you know whether it dates to  before \u201cThe Old Man and the Sea,\u201d which Hemingway wrote in the early  fifties, or if it could be considered in some way notes for the novella?<\/strong><\/p>\n<p style=\"text-align: left;\">There  are elements of the story that make it clear that Hemingway is writing  it years later. I find it hard to pin down and would date its creation  somewhere between 1936 and 1956, when he was working on the film of \u201cThe  Old Man and the Sea.\u201d I don\u2019t see it in any way as notes for the  novella, but I do think that it makes a strong companion piece, since it  is also about setting out to catch a very large marlin, and it shows in  different ways how difficult that undertaking is, even with modern  fishing equipment, a motor boat, and several experienced fishermen.<\/p>\n<p style=\"text-align: left;\"><strong>The title was chosen by your uncle Patrick Hemingway. Where did it come from?<\/strong><\/p>\n<p style=\"text-align: left;\">The  manuscript is untitled. My uncle Patrick, Ernest Hemingway\u2019s second  son, chose the title, which is a section heading in my grandfather\u2019s  book \u201c<a rel=\"nofollow noopener\" href=\"https:\/\/www.amazon.com\/Green-Hills-Africa-Hemingway-Library\/dp\/1476787581?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\">Green Hills of Africa<\/a>.\u201d  Hemingway divided his nonfiction account of his African safari, which  took place in the winter of 1933-34, not long after the setting of this  story, into four sections. \u201cPursuit as Happiness\u201d was the last and  climactic section of the book. Hemingway adapted his fourth section  title from a famous phrase in the United States Declaration of  Independence: \u201cLife, Liberty and the pursuit of Happiness.\u201d I think it  is a very apt title for this unpublished story, because it is not just  about catching and losing a large marlin\u2014in the same way that \u201cThe Old  Man and the Sea\u201d is not just about catching and losing a large marlin to  sharks. It is about the joy of fishing and the happiness that it  brings.<\/p>\n<p style=\"text-align: left;\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.newyorker.com\/contributors\/deborah-treisman\">Deborah Treisman<\/a> is <em>The New Yorker\u2019s<\/em> fiction editor and the host of its Fiction Podcast.<\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.newyorker.com\/books\/this-week-in-fiction\/ernest-hemingway-06-08-20?fbclid=IwAR1KwAvjMp6XdJVfEoYAtelSV012jYzS5XHwZf7QIRiJ7LrM_VxIWis9FUg\" target=\"_blank\">https:\/\/www.newyorker.com<\/a><\/p>\n<p style=\"text-align: left;\">&nbsp;<\/p>\n<p style=\"text-align: left;\">&nbsp;<\/p>\n<p style=\"text-align: left;\">&nbsp;<\/p>\n<p style=\"text-align: left;\">&nbsp;<\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; A conversation with Se\u00e1n Hemingway. By Deborah Treisman, June 1, 2020 A story in this week\u2019s issue, \u201cPursuit as Happiness,\u201d will be included in a new edition of Ernest&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-31291","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts\/31291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31291"}],"version-history":[{"count":1,"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts\/31291\/revisions"}],"predecessor-version":[{"id":31292,"href":"https:\/\/norkhosq.net\/index.php?rest_route=\/wp\/v2\/posts\/31291\/revisions\/31292"}],"wp:attachment":[{"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/norkhosq.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}